

In Act I, Prospero's tale of Alonso's complicity in his personal tragedy created an image of an uncaring ruler, one who was willing to overlook Antonio's deceit as long as it was beneficial to the king. Alonso's first thought is for his son's well-being. This act better defines the personalities of the king's party and more clearly establishes the good characters from the bad. Alonso is easily convinced of his brother's sincerity, and the scene ends with the royal party leaving the stage in search of Ferdinand. Antonio and Sebastian quickly concoct a story to explain their drawn swords, warning of great noise, as if from bulls or lions. He awakens Gonzalo in time to prevent the murders. Sebastian needs little convincing, and with Antonio, the two draw their swords and advance on the sleeping king and his party.Īt this moment, Ariel takes action.

Although Sebastian has some concerns of conscience, Antonio dismisses such worries and urges action while everyone is asleep. Left awake, Antonio and Sebastian devise a plot in which Sebastian will seize his brother's crown, much as Antonio had years earlier seized his brother's title and property. These are harsh words to the grieving father, and Gonzalo gently chastises Sebastian for his insensitivity.Īriel now enters, unseen by the group on stage, and puts all of them to sleep, except for Sebastian and Antonio. In short, Ferdinand would still be alive if Alonso had acted properly. Sebastian tells Alonso that, had he not permitted the marriage, the royal party would not have been at sea and, thus, never in the storm. Instead, they tell Alonso that he should not have permitted his daughter to marry the African. When Antonio and Sebastian join the general conversation around the king, they make no attempt to soothe him. In the meantime, Antonio and Sebastian whisper among themselves and belittle both Alonso's grief and Gonzalo's cheer. Gonzalo begins with a speech celebrating their survival of the storm and their relative safety on the island, but King Alonso cannot be cheered because he is sure that his missing son, Ferdinand, has drowned. This scene opens with all the passengers from the ship, except for Ferdinand, gathered on stage.
